Daniele Rustioni leads a joyful, traditional programme with the LSO
Article by Christopher Woodley from Bachtrack
“… the London Symphony Orchestra under Daniele Rustioni luxuriate in the heat and light of Liszt’s Les Préludes, and… cover themselves in glory with a vivid portrayal of Schubert’s Symphony no. 9 in C major. It can also be reported, for posterity, that Francesca Dego’s performance of Mendelssohn’s Violin Concerto will be one of the highlights of the season, even in this early stage of proceedings.”
“…Rustioni had the orchestra wallowing in his adoration of the piece, it was evident that he has a clear-headed view of the work as a well-constructed exercise in mid-century symphonic writing, and shaped the performance with great style and vigour. “
“Early performances of Schubert’s “Great C major” must have given horn players sleepless nights worrying about “cracking” their first note. Here Kenneth Henderson seemed to relish being given the honour of opening one of the wonders of Western music. The assurance with which he kissed that note paved the way for the rest of the band to embrace the tenderness of Schubert’s early bars. For the rest of the work that assurance, confidence, and a touching fearlessness, was at the heart of a performance full of glowing adjectives too many to mention – but let vivacious, plangent and resplendent serve as examples. Rustioni had the route for an adventurous journey firmly fixed in his mind, and along the way gave ample opportunity for each section of the orchestra to have its say – much like a group of pilgrims on their way to a shrine of great reverence. If there was a momentary slacking of pace in the Scherzo it was only to allow for arrival at the shrine to be celebrated with a full-throated hymn of praise sung in glorious sunshine.”
